The Glass House
Written by Sofia Abad, Ivanna Garza, Asa Stonebraker-Mahoney, and Broderick Miller
The SCTG proudly (bravely?) tackles Henrik Ibsen, the great Norwegian playwright who is second only to Shakespeare in terms of licensed plays produced each year. The Glass House is an obscure, rarely produced unfinished play one-act drama that centers on a middle-class family dealing with the usual Ibsen themes of duality, the sacrificial role of women and the unreliability of appearances.
**In truth, The Glass House, has a bit of a twist; though it begins with a student-helmed onstage production of Ibsen’s (fictional) Glass House, when a key actor fails to show, the play transitions into an exploration of teenage expectations and perceptions.
Written by Sofia Abad, Ivanna Garza, Asa Stonebraker-Mahoney, and Broderick Miller
The SCTG proudly (bravely?) tackles Henrik Ibsen, the great Norwegian playwright who is second only to Shakespeare in terms of licensed plays produced each year. The Glass House is an obscure, rarely produced unfinished play one-act drama that centers on a middle-class family dealing with the usual Ibsen themes of duality, the sacrificial role of women and the unreliability of appearances.
**In truth, The Glass House, has a bit of a twist; though it begins with a student-helmed onstage production of Ibsen’s (fictional) Glass House, when a key actor fails to show, the play transitions into an exploration of teenage expectations and perceptions.
Written by Sofia Abad, Ivanna Garza, Asa Stonebraker-Mahoney, and Broderick Miller
The SCTG proudly (bravely?) tackles Henrik Ibsen, the great Norwegian playwright who is second only to Shakespeare in terms of licensed plays produced each year. The Glass House is an obscure, rarely produced unfinished play one-act drama that centers on a middle-class family dealing with the usual Ibsen themes of duality, the sacrificial role of women and the unreliability of appearances.
**In truth, The Glass House, has a bit of a twist; though it begins with a student-helmed onstage production of Ibsen’s (fictional) Glass House, when a key actor fails to show, the play transitions into an exploration of teenage expectations and perceptions.